Soulia and the Sultans

Soulia and the Sultans spring from a tradition of female fronted jazz bands where the chanteuse recounts the tales of The Great American Songbook. Backed by a versatile and highly capable gentlemen’s band, Soulia breathes modern sensibility into a carefully culled repertoire of songs that are at once sultry, playful, and not altogether expected. From the starry eyed No Moon at All a la Julie London, to Julia Lee’s bluesy King Size Papa, or Jobim’s hypnotic Corcovado, listeners are taken on an evocative musical journey. The results are intimate and authentic, at once conjuring the nocturnal spirit of nightclubs and gin joints from days gone by, while telling a new, yet timeless story through that lens.

souliaandthesultans.com

SageArts: Songs of Our Elders

SageArts is an intergenerational arts project located in New York’s Hudson Valley that promotes social inclusion and dignity for elders in our communities. We pair elders with local artists to collaborate on original songs that define and celebrate their life experiences. The songs are then performed at concerts, enabling elders and the wider community to share in an intergenerational celebration of moving art. SageArts inspires and invigorates our elders, who are no longer viewed through the lens of their physical limitations and needs, reminding the community of the incredible value they have.

Elizabeth Clark-Jerez is the harpist/vocalist/songwriter for Mamalama, the Hudson Valley-based indie chamber orchestra. She has been steeped in the music of many different cultures through her world travels and apprenticeships, especially the music of modern and ancient Europe (sacred/early, renaissance, folk, classical), the traditional music of Native North and South American indigenous peoples (Algonquin/Cree, Andean), West African music, various American pop/folk/roots songwriters, and modern orchestral composers. Her formal studies include music composition at SUNY Purchase Conservatory of Music, and monastic music studies in “Contemplative Musicianship” with music-thanatology (music for the dying) pioneer Therese Shroeder-Sheker

Tom Holland has been a drummer for 50 years and has played in rock bands from 1972 to the present. He started writing songs in early ‘60s and has played with great musicians and songwriters in various bands in Syracuse and Woodstock. He has performed with The Reverberators since 2001, and that band has produced two CDs. Tom’s 2010 CD release, “Dirt in the Bloodstream,” was produced by Ralph Legnini. Tom says, “I work at the craft much like a sculptor. There are different ways of looking at tunes and lyrics, depending on where one stands, what one hears, and what one knows and remembers. Anyone can write them; I just happen to be in the right place at the right time, and the music comes out—it uses me to reach others, and I do it because I have no choice.”

Sarah Kramer-Harrison was born to sing. Growing up in the Woodstock of the rock renaissance, her childhood games were played among the giants of music. She made her first instrument at seven, began singing professionally at 14, and apprenticed as a recording engineer at 16 in one of the busiest studios in town. She studied classical cello for ten years and toured in youth theater as singer/dancer/actress. This evolution led logically to a dual degree from Berklee College of Music in Voice and Music Production/Sound Engineering. Kramer-Harrison writes and records original material, earning kudos from some of those giants she grew up among. Levon Helm tapped her to open a rare public show at the Woodstock Playhouse. She has shared the stage with Rick Danko, John Sebastian, Happy and Artie Traum, James Earl Jones, Tom Pacheco, Betty McDonald, Molly Mason and Jay Ungar, Willie Nile, and many more.

Winner of NPR’s prestigious Mountain Stage NewSong Contest, Kelleigh McKenzie (pronounced “Kelly”) plucks and thumps and sings to know herself and be with others. In 2009, her critically acclaimed debut album Chances was heard on radio stations across the country and her song “Gin” garnered the Independent Music Award for Best Americana Song. An accomplished banjoist, guitarist, and songwriter, curiosity and altruism have been Kelleigh’s guides since moving to the Hudson Valley 15 years ago. She has worked as a performing musician, educator, small business owner, political activist, community organizer, marketing consultant, and advocate in the New Economy movement.

Bonnie Meadow has solid training in music (School of Performing Arts, N.Y.C.; B.A. with High Honors in Music, Hofstra University, private instruction in N.Y.C. and Europe) and other theater arts. Her wide range of performing experiences have included: being composer and live musician for Theater in a Trunk, a children’s theater company; composing for and director of the Woodstock Jewish Congregation adult choir; musical direction; solo and ensemble performances; and writing music and lyrics for all the songs on her CD, In the Middle of Life.

Sarah Perrotta is a Hudson Valley based singer, songwriter, and pianist. Perrotta was the front woman of the indie-rock band Outloud Dreamer, whose debut album Drink The Sky was named best modern rock album of 2000 by WKZE Radio 98.1FM. Perrotta’s second album, The Well, was self-released in 2008, and features Tony Levin on bass and Garth Hudson on accordion. The album was mixed by Grammy Award winner Malcolm Burn. Her most recent record is entitled “Tonight” and released under her surname. Perrotta has toured nationally and internationally with Barenaked Ladies, Guster, Jason Collett, Sarah Harmer, Gaelic Storm, Kevin Hearn, and Garth Hudson.

Jude Roberts is a singer/songwriter who has been writing, performing, and touring for over ten years. From six months of age, Jude began to imitate Joan Baez songs he heard his mother playing on the guitar or on records. He was captivated by Lotte Lenya singing songs from “The Threepenny Opera” and would mimic her vocal inflection and phrasing. His father was a classical pianist of great talent, who began to teach him piano at age five. After two years of classical voice training at Boston Conservatory of Music, Jude went on to earn a degree in Studio Composition from SUNY Purchase in 1997. It was during the college years, listening to records like “Freewheelin’ Bob Dylan” and learning to Travis pick, that he felt a strong call to write music. This prompted his switch to composition. In Jude’s work one can hear influences of English, Irish, and Appalachian folk music. Listening deeper, one can find the influence of baroque and Romance era classical pieces, and the folk and pop songs of Italy and France, among other places.

Vickie Russell is an award-winning singer/songwriter originally from New York City who now resides in New Paltz, N.Y. She started out at age three, picking out melodies by ear on a relative’s piano under her grandmother’s tutelage, and begged her parents for piano lessons until finally they gave in. Vickie studied classical piano all through her school years. When she discovered Carol King and Elton John, she realized it was her calling in life to write and sing songs while accompanying herself. Vickie’s passion and purpose in life is to share her heart and humor through song. She has released three CDs of original songs on her own record label, Dance of the Dolphin. Vickie has shared the stage with Tuck and Patti, Christine Lavin, Donovan, Richie Havens, Rick Danko, and Leon Russell, to name a few. She’s played festivals, coffeehouses, libraries, colleges, clubs, and theaters all over the world. www.vickierussell.com.

www.sagearts.org

Breakfast for the Boys

B4TB is a five piece collective of impassioned musicians, dedicated to capturing the accessibility of Pop and the soul of Rock & Roll in original music. The group is fronted by powerhouse lead vocalist Aubrey Haddard “who sings with fiery, ripped-speaker, throat-torching grit that must be seen to be understood,” (John Burdick, The New Paltz Times), and supported by an eclectic rhythm section consisting of Sam Smith’s bold bass melodies and songwriting, hypnotic ambiance and tasteful harmony provided by Lukas Brenard on the keys, Pierce Allen’s extensive range from percussive rhythm guitar to heart-wrenching lead tones, and the undeniable, rock-solid pocket of Roger LaRochelle’s commanding groove. The group’s debut album “The Ides of March,” released May 2015, illustrates the large variety of genres and backgrounds being brought to the table, while the second album, scheduled to be released in Summer of 2016, will prove to be a pure representation of this band’s authentic sound. With a split home base between Boston, MA and the Hudson Valley Region of New York, B4TB is easy to catch live and consistently touring in the North Eastern US. Combining tight-knit groove, old-school blues, and new-wave R&B, this band breathes life into a whole new style of soul.

http://www.breakfastfortheboys.com/

Blueberry

Her sultry and exquisite psychedelic soul is contemporary pop’s best-kept secret, a landscape where quiet storms hover and glide over endless fields of deep, funky hooks. But with the release of Blueberry’s self-titled debut on Sundazed’s Euphoria! Imprint, it’s a secret that won’t remain so for much longer. Blueberry has released three previous albums on her own label and makes music well described by Time Out New York as “the illegitimate offspring of Prince and Kate Bush.” Composed and performed in an all-analog setting using Fender Rhodes and Wurlitzer electric pianos, analog organs, live horns and vintage drum machines, Blueberry features a guest appearance by Soul Asylum main man Dave Pirner and pairs the warm, classic sound of Snyder’s timeless influences with a decidedly modern sensibility-and puts pretty much anything else on the current pop radar to shame. Just surrender your ears to the looping, neo-soul groove of “Fickle”, the coy, Burt Bacharach-tinged “I Adore You,” or the brass-blasting dance-floor mover “Grubby Wire” and Blueberry will be bumping, thumping, and grooving its way to the top of your best-of-2016 list quicker than you can yell get down!

www.blueberrylounge.com

Errorarium

Errorarias (Adam Zaretsky and Kira deCoudres) play out on the Errorarium improvising analog signal processed remash and live sources to create a concert for humans, posthumans, transhumans and non-humans. Public invited to entertain live flies and plants. The Errorarium is an audio-photonic enrichment terrarium meant to house organisms and subject them to tests for photosynthetic and sonic engagement. The light and sound synthesizer has many dials that alter the environment of the growing organisms resulting in FIST.SAVE.MOP.BAIT or Forced Interspecies Transgenic Solar Animal Vegetable Environmental Microinjection Organismic Personality Behavioral Audio Integrity Test. Kira deCoudres, psychoacoustics, cybernetic technologies, and sensory manipulation remix artist https://soundcloud.com/morenonsense Adam Zaretsky, analog synth bioartist http://ja-natuurlijk.com/site2/adam-zaretsky/ Errorarium Architecture and Fabrication: Mason Juday http://masonyte.com/ Errorarium Experimental Light Synthesizer Engineer: Pete Edwards of Casper Electronics http://casperelectronics.com/

http://ja-natuurlijk.com/site2/adam-zaretsky/

The Begotten

The Begotten is a celebrated mix of thrash and death metal with a touch of some old school face breaking hardcore style topped off with black metal inspired vocals courtesy of a total death worshiping female.

Nightmares for a Week

Kingston N.Y.’s favorite sons. Equal parts rock, headache and hangover..take our word for it…

Tele Novella

Tele Novella rose from the ashes of indie darlings Voxtrot and Agent Ribbons. Blending Texas charm and West Coast vogue, Tele Novella’s music conjures images of John Wayne in thick-frame glasses.

https://telenovella.bandcamp.com/

Kaki King

Hailed by Rolling Stone as “a genre unto herself,” composer and guitarist Kaki King is a true iconoclast. Over the past 12 years the Brooklyn-based artist has released 8 extraordinarily diverse and distinctive albums, performed with such icons as Foo Fighters, Timbaland, and The Mountain Goats, contributed to a variety of film and TV soundtracks including Golden Globe-nominated work on Sean Penn’s Into The Wild, and played to an increasingly fervent following of music lovers on innumerable world tours. Her latest work, “The Neck Is A Bridge To The Body,” is Kaki at her visionary best: deconstructing and redefining the role of solo instrumental artist though virtuoso technique, insatiable imagination, and boundless humanity. This groundbreaking new multi-media performance uses projection mapping to present the guitar as an ontological tabula rasa in a creation myth unlike any other, where luminous visions of genesis and death, textures and skins, are cast onto her signature Ovation Adamas guitar which has been customized specifically for this production. In addition to her own solo work, Kaki sometimes performs accompanied by NYC-based string quartet ETHEL. She has also performed at Carnegie Hall, premiering a classical piece commissioned by Pulitzer Prize-winning composer David Lang.

http://www.kakiking.com/

Chris Maxwell

Chris Maxwell’s debut album, Arkansas Summer, which John Burdick in the Almanac Weekly described as “…masterful Baroque Americana,” began in a makeshift studio in an Airstream trailer parked in Maxwell’s backyard in Woodstock, New York. The dark confessionals of his childhood are stories of tragedy, triumph, abuse, addiction and redemption, all presented with indelible guitar hooks and artfully turned lyrics. “When the drum becomes the drummer,” Maxwell sings in the jagged title track, “she beats down like an Arkansas Summer,”Chris made his name playing perhaps the furthest thing from wistful Americana — in the ’90s, he made catchy, jagged junkyard rock with the legendary New York band Skeleton Key. Before that, he was the principal songwriter and clever guitarist of Little Rock, Arkansas’ first band to be signed to a major label, the Gunbunnies, whose Southern Gothic jangle the L.A. Times characterized “…as if the Beatles met Faulkner on E Street.” Maxwell now works out of his new Goat House Studio in Woodstock, where he composes and records music for hit TV shows like Bob’s Burgers and Inside Amy Schumer, as well as producing and writing music for other artists (They Might Be Giants, Iggy Pop, Yoko Ono, the Jon Spencer Blues Explosion) as part of the celebrated production team The Elegant Too. . “A beautifully poised grown-up album in an age that still coughs one up from time to time.” Jonathan Lethem

http://maxwellsongs.com