In CO+nversation: Dr. Andrea Littleton

Since opening its doors just two years ago, the O+ Exchange Clinic has evolved in exciting and unexpected ways, facilitating over 1,100 exchanges, automating appointment systems and infrastructure, and relocating to a new multi-use space in Uptown Kingston. 

This spring, the O+ Exchange enters a new phase of growth under the leadership of Andrea Littleton, MD, who will oversee the clinic as O+’s new Medical Director. 

A Kingston native, Dr. Littleton is double-board certified in family and addiction medicine and is also a street medicine provider. In addition to her work with O+, she serves as the Medical Director for Bronx Works and is the lead street medicine clinician for Care for the Homeless, two community organizations serving unhoused and low-income people and families. She is also an attending physician and Assistant Professor in Family Medicine at Montefiore Medical Center.

“Andrea’s commitment to caring for the entire community is unparalleled. From being a primary care physician to caring for the unhoused and marginalized through her work as a street medicine doctor, her work is as impactful as it is humbling,” says O+ co-founder Joe Concra. “We welcome her to O+ to not only care for our alumni, but to also help us envision how O+’s unique exchange can work for all.”

Andrea joined the team as the resident primary care provider last fall, but has been part of the O+ Festival since its early days, serving as a volunteer provider in the festival clinic since 2016. 

“I started volunteering with O+ because it was very much in line with my mission of trying to get access to care for everyone,” she says. “Everybody has their skills and abilities to offer a community, and to be able to tap into that—certainly for artists—in exchange for healthcare is just such a wonderful idea.”

Each year during the festival, hundreds of artists and musicians flow through the Artist’s Clinic, a pop-up health and wellness space housed inside Bethany Hall at the Old Dutch Church. At the 2025 O+ Festival, 181 patients came through the clinic doors for a variety of services, including dental treatments, Reiki, massage, primary care, acupuncture, and more. 

While the Artist’s Clinic is the heart of the three-day festival, opening the year-round Exchange Clinic has been a crucial part of O+’s mission and evolution. 

“During the festival, we see a lot of people…but they also have ongoing healthcare needs throughout the year,” Andrea says. “The 365 clinic is a place to help address some of those continuing issues on a more regular basis. So I’m really excited to be able to continue the work that [former O+ Medical Director Dr. Dre Edge] had started.”

A look at Andrea’s career shows a deep commitment to service, though she says her path to becoming a doctor wasn’t always a straight line. “Growing up, I didn’t really know what it meant [to be a doctor] because I didn’t really have any doctors in my life,” she says. “But I had an inkling that maybe this was something I could do.”

She went to Cornell for pre-med and majored in biology with a concentration in nutrition, which she says sparked a lifelong interest in wellness and other lifestyle-focused disease prevention modalities. But by the time she graduated, she wasn’t quite sure that medical school was the right next step. 

“I was kind of questioning medicine because it was very, very cutthroat at Cornell and very difficult,” she says. “There was not a lot of support for people of color to go into [medicine], especially as a female.”

She decided to take some time off from school and moved up to Buffalo to be closer to her brother, who was a student at the University of Buffalo at the time. Over the next few years, she researched nutrition and childhood obesity and also worked as a nursing assistant in a nursing home. She gradually realized that the best way for her to help people improve their wellness and quality of life was through medicine. 

Andrea went to medical school at Stony Brook University and did her residency in family medicine at the Montefiore Residency Program in Social Medicine in the Bronx, a program that she says aligned closely with her personal mission and values. The training at Montefiore focused on a whole-person, whole-system approach to health and well-being, addressing cultural and socioeconomic barriers to health and gaps in the healthcare system that can affect access to preventive care and overall wellness. 

Even if she didn’t grow up envisioning a future as a doctor, by the time she got to Montefiore, she knew she was exactly where she needed to be. 

At Montefiore, Andrea says she also had the opportunity to work with unhoused communities in the Bronx. One of her attending physicians was also the medical director for the Bronx Team at Care For The Homeless (CFH), an organization that provides medical, dental, and mental health care to people and families experiencing homelessness throughout New York City, and advocates for policies to help end homelessness. In addition to providing healthcare services via clinics and mobile outreach, CFH partners with other agencies to provide shelter and supportive housing, legal services, job training, senior care, and more. 

Andrea did a rotation with the CFH team during her third year of residency and loved the work—so much so that she later took over as medical director for the Bronx CFH team, leading the street medicine team, developing the medicine-assisted treatment (MAT) street team, and coordinating care at a drop-in shelter. 

“I think it’s very powerful when you can really meet people physically where they’re at…when you can actually go to them in the community, [it] builds a whole other layer of trust for people who have been so disempowered and distrustful of the healthcare system in general,” she says. 

Andrea had planned to stay settled in the Bronx—she met her husband when she was finishing medical school, and they were raising their three children in Mount Vernon while she continued to work at Montefiore. But she says she found herself at a pivot point, personally and professionally, after her mother passed away from breast cancer in 2013. She and her family moved to Kingston shortly after to set down new roots in her hometown. 

“I never thought I would move back to Kingston, but at the time it all kind of made sense,” she says. “I loved where I grew up…and [again] I was doing something I never thought I would do, and it turned out to be a great decision for our family.”

Since returning to the Hudson Valley in 2014, Andrea has continued her work at Montefiore and CFH on a part-time basis. Until recently, she was also a family physician and addiction medicine specialist with Sun River Health in Beacon.

A lot has changed in the world since Andrea started practicing medicine over 20 years ago. She’s seen firsthand how shifting political priorities, inflating healthcare costs, the opioid epidemic, and the global Covid-19 pandemic have taken a toll on patients, providers, and public health infrastructure. Through it all, she says that witnessing her patients’ resilience and training the next generation of doctors drives her work. 

“I become reinvigorated in my values just by talking to the patients that I work with and hearing their stories of adversity and how they’ve overcome them…[it] has really instilled in me inspiration for humankind,” she says. “And working with students and trainers and showing them ways that they can kind of give back in a very meaningful way…it really inspires them, and that inspires me.”

Further reflecting on her career, she says that working in direct outreach put into perspective how obstacles like housing insecurity, unstable income, and lack of reliable access to regular healthcare can make people unwell. Seeing the impact of these barriers in real-time informs the way she approaches patient care.  

“I realized through all of that work that getting a good understanding of where the person’s coming from is the first step, and then I can see what ways I can work with that person to help them,” she says. “Typical Western medicine has always kind of put the doctor at the top of the decision-making tree, but we really are partners in care…Making sure [patients] feel their power and trust me to help them with their decisions is, I think, the most effective approach to helping people with their well-being.” 

That ethos, combined with her background in both family medicine and street medicine, puts Andrea in a unique position to help envision the future of O+ Exchange Clinic and to provide ongoing care to the creative community of O+ alumni. 

“Artists and musicians are certainly a sect of our population that has been neglected for healthcare,” she says. “I feel like they fall into that kind of [space] that we talk about, where you kind of make enough to kind of get by, but not enough to have good health insurance or even decent health insurance…so much of our population falls into that hole.”

While she notes that New York tends to offer better healthcare coverage than most states, too many still struggle to afford the care they need, and that those financial barriers—and political obstacles—have come into stark relief in the last few years. 

“I feel like we are being tested now more than ever of our ability to find creative solutions to some of the barriers that our healthcare system hasn’t been able to provide,” she says. 

The first year of operations at the O+ Exchange focused on testing and gathering feedback from the community. In 2025, those insights informed both the clinic offerings and the operational infrastructure needed to facilitate the exchange itself. Looking at 2026 and beyond, Andrea is focused on growth. 

“I want to really be able to create a much larger network of [providers] with a similar mission to be able to exchange medicine for whatever services people can provide, and to empower our community to really feel like they have the ability to get good healthcare and wellness,” she says. 

In the coming year, she says the team will explore grants and other funding sources that can help scale the types and volume of services available through the exchange, and potentially expand those services beyond festival alumni to serve the broader population in and around Kingston. She adds that a long-term goal would be to offer mobile outreach, similar to the work she’s done in the Bronx. 

“My dream is really to be able to reach out to people who are unstably housed in the Kingston area and not only engage them for healthcare, but ultimately [to get them connected] for housing because that is such a big barrier to healthcare in general,” she says. 

For now, she’s taking it one step at a time, leveraging the tools already in place and building upon the work the clinic team has accomplished over the last two years. 

Andrea is partnering with nurse practitioner Dina Kravtsov—an O+ alumna and muralist who joined the team in 2025 to establish clinic operations in the new space—to offer primary care services onsite and coordinate referrals for services like dental care, dermatology, optometry, and teletherapy within O+’s provider network.

While these healthcare services help bridge a crucial gap in care for many uninsured and underinsured artists, Andrea sees the O+ Exchange as more than just a clinic. As it continues to scale, she feels it has the potential to become a hub that supports community wellness on a practical level, with resources and access to a broader network of providers and practitioners that may otherwise have been out of reach. 

“We’re trying to tap into all of the strengths in the community to make sure that everyone can utilize their role in providing wellness,” she says. “I think that’s my vision of the clinic and what it can really offer the community.”

Monarcas Rotas

Monarcas Rotas | Broken Monarchs – work from Marielena Ferrer. Marielena Ferrer’s artistic practice centers on the role of art in social change, particularly through political, public, and community art. Growing up in an artistic household in Venezuela, Ferrer learned traditional craft-making and developed…

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Megaphones & Monoliths

Megaphones & Monoliths 
work from Don Johnson

Exhibition Dates: Jan 31st, 2026 – Mar 7th, 2026
Opening Reception: Sat, Jan 31st, 2026 5-8pm
Location: O+ Exchange, 334 Wall St, Kingston, NY
Gallery Hours: Thurs-Sat 12-6pm or by appt

O+ is pleased to announce Megaphones & Monoliths, an exhibition of drawings and sculpture by Don Johnson. Johnson is an accomplished artist and longtime resident of High Falls, NY as well as a supporter of O+’s mission to provide health care access to fellow artists since the organization’s inception.

Megaphones & Monoliths includes over a dozen recent drawings, primarily executed in oil based pigment sticks, as well as architectural sculpture of wire, wood and wax, installed in our storefront project space. Johnson’s drawings explore the tenuous balance between order and chaos essential to navigating the challenges of being human. He embraces the absurd while utilizing formal anchors to create worlds that feel familiar despite impossible elements like mountains made of pie or fish tethered to the skyline. The work inspires joy and laughter in its details while a melancholic nostalgia and longing are present throughout, often found in the nods to the mountainous landscapes or coastlines of his youth.

Johnson’s sculptural work in the exhibition, excerpts from older bodies of work, also balance wit with skillful execution but tackle broader social concerns. The wire and wax buildings are created in the likeness of archetypes of capitalism and power—including structures like banks, courthouses, churches — but are, at times, literally transparent or filled with dollar bills, absurdist sound elements, etc. The viewer can see through them in places and are shut out in others by wax or tar-like surfaces that speak to the impenetrable, antiquated, and often arbitrary, social hierarchies they represent.

Together these bodies of work point to a lifelong commitment to artmaking that looks both inward and out. Johnson’s work is critical and open, not taking itself too seriously to play, to search, or to allow the awkward or uncertain in everyday life to express itself in tandem with his informed mark-making. They welcome the viewer into his memories, question what has “value” and encourage us to embrace the strange, silly, simple, or surprising pleasures and peculiarities of just being alive.

www.donjohnsonart.com

Notes from Here

Notes from Here 
an exhibition of small works from Hudson Valley Artists
Bill Brovold, Joe Concra, Ramiro Davaro-Comas, Erika DeVries, Sophie Eisner, Lara Giordano, Casey Inch, Don Johnson, Grace Lang, Reyna Martinez, Adam Mastropaolo, Thomas Sarrantonio, Saidee Sonnenberg, Thorneater, and Lindsey A. Wolkowicz
December 19th, 2025 – January 24, 2026

Opening Reception: Friday, December 19th, 2025 6-8pmLocation: O+ Exchange, 334 Wall St, Kingston, NYGallery Hours: Thurs-Sat 12-6pm or by appointment

Notes from Here brings together small work from O+ artists making work in, and of, the Hudson Valley region. With work that ranges from landscape in oil on linen to sculpture that acts as a literal container to the elements, this exhibition explores the meaning, substance, absurdity and experience of the time and location they find themselves in.

These works offer brief glimpses of each artist’s process and attempt to make meaning from the moment. They are offerings—like a postcard to a friend, a found rock slipped into a pocket, ephemera pressed in a book– holding an impression of a place or a fleeting moment you try to carry with you.

Vessal by Lara Giordano
Mothman by Thorneater
Untitled by Joe Concra
USA 4401 Wash Before Use by Sophie Eisner
Wildfire 2 by Casey Inch
Red Trash Friend by Grace Lang

The exhibition opens at The O+ Exchange Gallery Friday, December 19th, 2025 with a reception from 6-8pm and is on view through January 24th, 2026.

Notes from Here features work from Bill Brovold, Joe Concra, Ramiro Davaro-Comas, Erika DeVries, Sophie Eisner, Lara Giordano, Casey Inch, Don Johnson, Grace Lang, Reyna Martinez, Adam Mastropaolo, Thomas Sarrantonio, Saidee Sonnenberg, Thorneater, and Lindsey A. Wolkowicz.

Homage to Mendeleev by
Adam Mastropaolo
Fog Painting by Thomas Sarrantonio
From Finding Home
by Reyna Martinez
Squad 1 by Ramiro Davaro-Comas
Untitled by Bill Brovold
Range #5 by Lindsey A. Wolkowicz
Untitled (Swan) by Erika DeVries

About the artists

In Someone’s Shoes

In Someone’s Shoes 
an exhibition of work by Mark Hogancamp
November 14th – December 13th, 2025

Opening Reception: Friday, November 14th 6-8pm
Gallery Hours: Thurs-Sat 12-6pm or by appointment
O+ Exchange, 334 Wall St, Kingston, NY

In Someone’s Shoes invites viewers to step into the imaginative and intimate world of Mark Hogancamp, the Kingston-based artist known globally for his deeply personal and cinematic project Marwencol. This new exhibition, curated in partnership with One Mile Gallery (that represents Mark Hogancamp), presents a stunning series centered on one of Hogancamp’s lifelong fascinations — shoes, especially high heels — as symbols of identity, transformation, and empathy.

For Hogancamp, shoes have always been signifiers for far more than fashion. They carry our stories — the weight of who we are, where we’ve been, and who we long to become. In his photographs, stilettos, combat boots and scuffed heels alike become portraits of courage and vulnerability, fantasy and survival. Each image blurs the line between reality and imagination, inviting viewers to consider what it truly means to “walk a mile in someone else’s shoes.”

“People see high heels and think of style or gender or desire,” says Hogancamp. “For me, they’re more than that — they hold power and memory and they help me understand others, and myself.”

In Someone’s Shoes is both deeply personal and universally human — high heels as a reflection of resilience, and representative of the process of building, or rebuilding, oneself from the ground up. In addition to the photographs included in the exhibition, O+ is honored to feature an installation of shoes and figures from Mark’s personal collection in the storefront project space, giving viewers an intimate look at some of the objects that not only inspired the photography, but have been gathered and cherished by the artist throughout his life.

Listen to the Aimee Gardner in conversation with Mark Hogancamp on the April 29, 2025 O+ Radio Hour on Radio Kingston

As a closing event to the exhibition, O+ will present a screening of Marwencol — the 2010 documentary, directed by Jeff Malmberg — on December 13th at 5pm, followed by a Q&A with Janet Hicks of One Mile Gallery and Mark Hogancamp himself. Marwencol is an honest, emotional account of the vicious attack that changed Mark Hogancamp’s life and the ways that art and storytelling became pathways to healing, authenticity and empowerment for Mark, as well as anyone who encounters the worlds he creates.

In addition to Hogancamp’s exhibited photographs, open edition signed prints will also be available with proceeds from benefiting Mark Hogancamp and healthcare access for artists through the O+ Exchange.

About the artist

Mark Hogancamp is an artist, photographer, and storyteller whose work explores trauma, healing, and imagination. His world-renowned project Marwencol — a miniature WWII-era town he built as a means of recovery after a brutal attack — was the subject of the award-winning documentary Marwencol (2010) and the feature film Welcome to Marwen (2018). In Someone’s Shoes extends that story — a testament to the power of creativity to restore dignity, understanding, and hope – expressed through objects long collected and cherished by the artist.

Index: New work by Beth Humphrey

Index 
an exhibition of work by Beth Humphrey
September 4 – October 5, 2025

Opening Reception: Thursday, September 4th 6-8pm 
Gallery Hours: Thurs through Sat, 12-6pm or by appointment
O+ @ 334 Wall Street, Kingston, NY 12401

O+ proudly presents Index, an exhibition of recent work on paper by Hudson Valley artist Beth Humphrey. Humphrey’s compositions are both whimsical and informed, leveraging the visual languages of landscape, abstraction and object to present sculptural combinations of paper, drawn line and pattern. Her process, pairing formal concision with exploration, feels like the construction of intimate poems solving for the intangibles in the human experience. They balance bright color and familiar forms that call forward associations with home, with weather, with land and body to give shape to emotionality and to shine light on the absurd, the unknown and the existential in being alive.

ARTIST STATEMENT

This body of work is inspired by the infographics from 1950’s & 60’s encyclopedias that attempted to distill information and inspire curiosity about natural systems, depicting individual parts removed from the whole. These were sanitized, clinical, colorful imagery, removed from the exploitation and rampant destruction of these systems. I am reimagining components of natural forces inspired by my own sense of awe and wonder around these systems that support us all.They are constructed with paper as a ground, building up surfaces with paint, drawing, accident, light and shadow.

ABOUT THE ARTIST

Beth Humphrey studied printmaking at Minneapolis College of Art and Design and surface design at Oregon College of Art and Craft. She’s had residencies at the Ucross Foundation and the Penland School. Humphrey was a NYFA Mark Fellow in 2009 and exhibits her work nationally. In 2005, she co-founded Art Lab, an arts based non-profit promoting affordable arts programming for children based in the Hudson Valley, is the Education Curator for the Woodstock Artists Association and Museum and is currently the Workforce Director of the Midtown Kingston Arts District Youth Workforce Development Program (formerly known as PUGG/Pop-Up Gallery Group).

www.bethhumphreyart.com  @studiobeth

In The Pale Light of Shadow We Put Together a House

Sophie Eisner picture of "Put Together" 2

In The Pale Light of Shadow We Put Together a House
an exhibition of work by Sophie Eisner 
July 17th – August 24th, 2025

Opening Reception: Thursday, July 17th 6-8pm 
Gallery Hours: Thurs through Sat, 12-6pm or by appointment
O+ @ 334 Wall Street, Kingston, NY 12401

O+ is honored to present In The Pale Light of Shadow We Put Together a House, an exhibition of recent work by Kingston-based artist, and 2024 O+ Festival alum, Sophie Eisner. Eisner will be showing new sculptural work in the gallery, as well as an installation in the storefront project spaces. 

With formal elements reminiscent of both Joseph Cornell and Beuys, and distinctly contemporary explorations of connection, purpose and longing, the work exemplifies the informed, curious, and associative nature of Eisner’s practice. Her objects are both nostalgic and inventive– produced from familiar materials that mimic the body and refer to the home just enough to seem both intimate and utilitarian. The giving shape to the space between materiality and emotion, the presentness of play and the weight of memory.

Sophie Eisner picture of "Put Together" installation 5
Partnering. Sophie Eisner. 2022. Steel, fabric, plaster, wood, burlap, foam, wax, zipper
Sophie Eisner picture of "Put Together" installation
Ways of Knowing II. Sophie Eisner. 2025. cast silicone with silicone pigment, steel, paint

ARTIST STATEMENT

“In making for ourselves a place to live, we first spread a parasol to throw a shadow on the earth, and in the pale light of the shadow we put together a house.”

In the early pages of Jun’ichirō Tanizaki’s text he writes, “in the pale light of the shadow we put together a house.” It is unclear if the “we” still exists or if he is now alone recalling a past time of togetherness. Even in the most joyful memories, there is a felt space of absence.

Putting together a house, building a life, is a hopeful act as well as a commitment of labor. It is a corporal investment in one’s future and, in the “we” that Tanizaki writes, a joint effort and a shared experience. To put a house together is not to build from the ground up, but to gather and combine disparate parts and bring them into relationship.

It is somber and hopeful, vulnerable and brave. There is uncertainty and opportunity in the making. Gravity and play exist concurrently. In the pale light of the shadow we do not know the future, but in it we build on our memories and make a place to live.

My practice is a tender putting together. With a combination of industrial materials and more traditional art media, I build, cast and assemble forms that appear simultaneously utilitarian and intimate. The forms and arrangements in this body of work speak to the unfixedness of home, the inherent longing of nostalgia, and gestures of a body in juxtaposition with a materiality most akin to architecture and manufacturing. The objects are imbued with the discovery of childlike exploration, the non-linear narratives of memory, and opportunities for holding and care in spaces of absence.

Sophie Eisner picture of "Put Together" 6
Untitled. Sophie Eisner. 2025. velvet, felt, wood, steel

ABOUT THE ARTIST

Sophie Eisner grew up in New York City, and after spending many years in the Midwest, has made her home in Kingston, NY. Eisner’s studio practice includes sculpture, installation, drawing, performance and musical collaboration working in steel, silicone, concrete, wood, fabric and bronze.  With a background in ceramics and figure drawing, Eisner’s work is grounded in the act of making and close observation of the physical world. 

Eisner’s work has been exhibited in galleries, museums, and sculpture parks in the United States and internationally including at Simone DeSousa Gallery, Wasserman Projects, Franconia Sculpture Park, the Wright Museum of African American History, and Galerie Marzee. She has been awarded residencies at Yaddo, Mass MoCA, the Vermont Studio Center, and Salem Art Works among others and was honored with the Louise Bourgeois Award in Sculpture from Yaddo. Eisner teaches sculpture at the School of the Museum of Fine Arts at Tufts University.

Watch: In CO+nversation with Sophie Eisner

www.sophieeisner.com
@s.eisner

2025 O+ Kingston Theme: PO+wer

The O+ Festival will return to Kingston, NY for the 15th annual exchange of art, music and wellness October 10-12th, 2025.

Any form of art is a form of power; it has impact, it can affect change – it can not only move us, it makes us move.

~ Ossie Davis

What is power? Who holds it? How is it sustained? When do we wield it, when do we resist it? How do we, consciously or unconsciously, uphold structures that reinforce inequitable access to it? How do we share it? What happens when it is redefined or redistributed? How do we reclaim it when attempts are made at taking it from us?

In a time marked by political turbulence and division, art emerges as a potent instrument of the people—a medium through which voices are amplified, dissent is visualized, and collective resilience is forged. Power is, however, neither inherently good nor bad—it is an omnipresent force that governs societies, shapes relationships, and defines identities in complex and often contradictory ways. Power is at once tangible and elusive, oppressive and liberating, inherent and constructed.

Friedrich Nietzsche said “Happiness is the feeling that power increases – that resistance is being overcome” perhaps defining power, in all of its forms, as a force. And perhaps possessing or harnessing power is the sense that if you push against something (whether physical, metaphysical or metaphoric), it will move.

The fascism in us all causes us to love power, to desire the very thing that dominates and exploits us.

~ Michel Foucault

The 15th Annual O+ Festival offers a space to reconsider power not just as something to be held, but as something to be shared, dismantled, or reframed. We welcome the work of artists exploring power in ways both practical and political. Structural power or the literal power grid. Renewable “green” power or economic power. Interrogations of authority, questioning of systems, celebration of movements, or even explorations of physics all present power as a force, a medium and a subject that we encounter and contend with in our everyday lives.

and the armies ceased advancing
because the people had their ear
and the shepherds and the soldiers
lay beneath the stars
exchanging visions
and laying arms
to waste in the dust
in the form of shining valleys
where the pure air recognized
and my senses newly opened
I awakened to the cry
The people have the power
 ~ Patti Smith

The measure of a man is 
what he does with power. 
~ Plato

From the heart
It’s a start, a work of art
To revolutionize make a change nothing’s strange
People, people we are the same
No we’re not the same
‘Cause we don’t know the game
What we need is awareness, we can’t get careless
You say what is this?
My beloved lets get down to business
Mental self defensive fitness
Don’t rush the show
You gotta go for what you know
Make everybody see, in order to fight the powers that be
Lemme hear you say
Fight the power 
~ Public Enemy

Submissions are welcome from artists, musicians, and writers of all mediums, genres and modalities that explore the nature of power in all of its forms, structures, expressions and complexity. We welcome work that examines how it is wielded, challenged, distributed and reimagined. The structures that sustain power, the forces that resist it, and the possibilities for its transformation. Some pieces confront systems of dominance, exposing the weight of authority, surveillance, and inequality. Others celebrate empowerment, resilience, resistance and the transformative potential of collective action. The interplay between these perspectives underscores the fluidity of power—how it shifts, adapts, and manifests in both visible and invisible ways.

Sometimes people try to destroy you,
precisely because they recognize your power
— not because they don’t see it, 
but because they see it and they don’t want it to exist. 

~ Bell Hooks

In an era where institutions and services are battlegrounds for ideological control, as seen with recent political interventions in both art and healthcare, this year’s O+ Festival stands as a testament to the essential power of creative expression as a form of resistance, a catalyst for dialogue, a celebration of connection and a way to imagine new ways forward using power as a force.